Falling Out of Love with Angel

The cast of re-awesomed Season 5 of Angel

The cast of re-awesomed Season 5 of Angel. L-R: Spike, Lorne, Angel, Wes, Fred, Gunn.

After season 3 of Buffy, Angel heads off to Los Angeles and decides to seek redemption by “helping the hopeless” (or, alternately, “helping the helpless” depending on what season you’re watching). He sets up a paranormal investigation agency and, with the help of all manner of amazing characters, sets about being dark, broody, noir, and cynical.

Here is where you cannot separate talking about Buffy the Vampire Slayer from talking about Angel. I borrowed Angel on DVD from a friend of mine, with the only stipulation being “watch Buffy and Angel at the same time and tell me how it is.” I’ve already discussed at far-too-much-length my feelings for Seasons 4 and 5 of Buffy. I plan on writing, at some point, a massive vindication of Season 6, which is very widely panned by fandom (and, as my nifty chart will show, my absolute favorite season.) Even as I was a watching both of these shows, this thought kept screaming through my head: Buffy steals glory from Angel, and vice versa. Here is my personal “rating chart” on a scale of 1-10 of Buffy and Angel while concurrently viewing them to get the full glory of their brilliance:

The original Angel cast. L-R: Cordelia, Angel, Doyle.

Angel starts off full-throttle amazing. The show is much darker and far more cynical than Buffy (which, when all is said and done, isn’t really a happy-go-lucky laugh-fest itself.) I really bought Angel dedicating his unlife to helping those in need. The episodes were fun, gleefully dark, and pretty much attempted on all levels to deconstruct the character of Angel who, at that point, I adored. Angel is joined in L.A. by Cordelia, the former rich snobby jerk Queen of Sunnydale High. Cordelia I adored, for the first two seasons. She was smart, funny, helpful, and self-sacrificing without being preachy. In fact, I adored everything about this show for the first two seasons (see chart above).

Then they do the unconscionable yet again. They decide—for some unfathomable reason—to violate the rules of their own fictional universe. And this time, it makes me even more angry than the insta-sister bit from Season 5 of Buffy. Season 2 becomes tedious when they drag out the whole “Angel is obsessed with his sire, Darla” storyline for far too long. If Season 2 was tedious, Season 3 is unbearable. In Season 3, someone thought it would be a good idea for Angel to impregnate Darla and have many overwrought scenes about family and responsibility. Angel becomes a cooing, disgusting papa bear, and loses all character motivation outside of his son Connor. For one, I hate even the idea that two dead people can somehow produce a live child. That is just a mythos disaster. For another, Angel was already on my nerves. Making him obsess over a baby to the exclusion of all else had me disliking him. And, very soon thereafter, hating him. Around the same time, Cordelia turns into a highly annoying preachy white-paragon of goodness. Because that’s all the Buffyverse really needed was for the stuck up rich jerk of the original show to turn into preachy, bubbly, sunshine girl. Not only that, someone decided Cordelia would be a great love interest for Angel! When they decided this, I still kind of liked Angel. I still thought Angel was serious about his “loving Buffy forever” shtick. I got over that, very quickly.

This is Wesley. He's a bookworm.

What keeps this show watchable? For one, Wesley. Wes got his start in Season 3 of Buffy the Vampire Slayer as rogue Slayer Faith’s ineffectual Watcher. It was when Angel tried to kill Wesley in Season 3 of Angel that I suddenly could no longer stand our main character. After claiming for two full seasons that his Angel Investigations team was his family, Angel throws all of his previous relationships out the window because the mystical forces give him a kid. Angel became irredeemable—utterly irredeemable in my eyes. Wesley was the one character who never once slipped out of character or into absurdity in the entire run of this series. Then again, he started out as a pitiful and largely annoying dweeb. He could only go two places: “up” or “dead.” Wes, most assuredly, was my favorite on this show. He lost all of his bad qualities, actually became competent, was still utterly hilarious, and eventually went very dark indeed. What more do you need in a man?

Fred. Who is crazy, smart, and amazing in other ways too.

There’s also Fred. I loved Fred from the second she showed up. She first appears at the end of Season 2, and is utterly screwball crazy for quite a long while after that. Ironically, Fred—one of the best things about Angel—shows up only when the show gets terrible. And it’s far from her fault that the show went sour. Angel simply lost its humor after the second Season, which is something that never happened to Buffy. It was a drag to watch, the characters annoyed me (read “the characters” as “Angel, Cordelia, and Connor”), and I mostly just wanted them to shut the hell up so I could get back to my Buffy. Fred and Wes were the two huge exceptions to that feeling. When they were on screen I felt like I was justified in giving them my time. Angel? Not so much.

So, what’s with that giant upswing on my ratings chart? No more Buffy to sap away the awesome? Angel finally pulled his head out of his bottom and found his actual character drive again? Or, gee, maybe it was the addition of Spike! Spike brought the humor back, and also challenged Angel on every level which adjusted his characterization back to where it should have been before it went off the rails in Season 3. Ironically? In the minds of all the characters except for Angel, the plotline that I find so despicable is completely erased. I wish I could erase it from my own mind. So there is no more Connor (thank sweet Jesus), and also no more Cordelia (again thanking sweet Jesus). Every deplorable character in Angel was removed and the best one from Buffy got added. Way to go, writing team, finally figuring it out. Too late to save the show.

When it’s all said and done, Angel served no other purpose than to make me hate the title character, and love a few of the incidental nerds. It had taken me a while in Buffy the Vampire Slayer to like Angel. It took a few poorly-written and ill-timed incidents for me to hate him passionately.

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Buffy II or The Spike Lovefest

The cast in season 5.

Two weeks ago I finished watching the fifth and final season of Angel and then read all the canonical Buffyverse comic books in a day. I’ve been struggling these two weeks to come up with a way to accurately describe everything I think and feel for this universe.

I’ve decided to split this into three parts: Buffy, Angel, and the comics. So here goes Buffy. This is absurdly in-depth about plot detail, but you have to understand: once you get this far into the Buffyverse it devours your brain and you can never again get free.

Season four is the first season without Angel. Angel goes off to Los Angeles and gets his own show devoted to his L.A. exploits. Buffy goes to college at UC Sunnydale, engages in some amusing exploits, but mostly annoys the ever-living bejesus out of me. Willow suddenly discovers that she’s gay, Buffy gets a boyfriend named Riley who could not be more annoying, and Giles has nothing to do for the entire season and sits around in his apartment drinking alone. The big evil of the season is a covert military operation to fight demons housed in an underground facility beneath the University. I detest military bad guys, for one thing, because they are always so poorly done, and “the Initiative” was no exception. When I was watching season four, I wanted it to go away forever so I could keep watching Angel (which was fantastic at that point. You will hear more on this from me later). There was one saving grace, however, and one thing that kept me coming back to Buffy with at least amusement if not glee: Spike.

This is Spike.

This is about to turn into a Spike lovefest. I am warning you ahead of time. Buffy the Vampire Slayer seems to have some seriously sharp delineations in its fan base. One of those splits is between the people who hate Spike and say he ruined the show and the people who adore Spike completely. Through seasons four and five, he was seriously the only thing that kept me from abandoning the show altogether. Spike is that awesome. He had to take up the void left by numerous amazing and dynamic characters and he did it fully, admirably, and with panache. He made up for the hole that Angel left as the vampire, the hole that Cordelia left as the confrontational team member, and (later) the hole that Giles left as Buffy’s support. And mostly he managed to overtake all three of them in my heart by a large margin (ok, well, he eked out Giles–the other two he destroyed.) Spike started his fictional existence as a fairly ineffectual villain in season two. Fan reaction kept him around (he was originally slated to die after only a few episodes), and in his one guest appearance in season three he caused so much conflict that Joss Whedon decided to bring him back as a series regular. And thus saved his show from the trash heap of my fickle, fiction-loving heart. Spike throws himself into the calmly puttering lives of the rest of the characters like throwing a box of nails in front of an on-coming car with predictable results. I love his snark, I love his evil, and I love his obsessions. And season five sees some obsessions.

Let me talk about season five. See, when this season starts, they throw a character at you who by all rights should not exist. Buffy gets an insta-sister named Dawn who it takes five episodes for them to explain at all. I was so incredibly pissed off by this egregious betrayal of my watcher-ly trust that I wasn’t just tempted to stop watching Buffy this time. The show had to prove to me every episode why I should not turn it off. And it’s dandy, once they explained where Dawn came from and why she was there. But she was the most annoying creature I’ve ever had the displeasure of suffering through. The beginning of season five had Dawn and Riley, and there was nothing that kept me from turning it off except Spike. Good on Spike, for keeping me watching. By the penultimate episode I was so into it again that I forgot that there were bits that annoyed me to the point of hatred. And then there was the season finale and I was so offended by it that I was honestly ready to quit watching. (The only reason I didn’t quit was because I was six episodes away from the infamous musical episode. Which is fantastic by the way.)

Buffy and Dawn the insta-sister.

This next paragraph is a SPOILER (although it’s hard to not know this already, even if you know nothing about the show.) See, Dawn–who never justified her existence and seemed to go out of her way to make me hate her–Dawn is in trouble and Buffy kills herself to save her sister. Ok, Buffy. Kill yourself to save the world, that’s fine. Kill yourself to save your friends–that’s ok too. But killing yourself to save your sister above and beyond all other thoughts and considerations? Your sister who is not truly your sister but a magical violation of your mind and body to make you think she is your sister? HOW IS THIS OK? When people whine at me about certain occurrences of season six I just want to stare at them dumbfounded and ask how anybody could possibly violate Buffy more than the mere existence of Dawn does.

The irony is that season five is considered one of the best seasons of Buffy’s seven season run. This is yet another one of those divisive things within fandom. The end of season five is supposedly “Joss Whedon’s ending” and then (so fan lore goes) the show got renewed and no one knew what to do next. I assure you that if this show had ended after season five I would have renounced the entire thing as a load of trash and been resolutely Not a Fan. But then I got glorious season six.

Seasons six and seven are very widely panned, hated, and otherwise denigrated by a vast majority of the Buffy fandom. Seasons six and seven are my absolute favorite. I don’t know if it’s because I myself often struggle with depression, or maybe because I’m at the point in my life where Buffy is in these seasons. But season six is full of depression, apathy, cynicism, and human struggles. Pretty much every character does horrible things and has to live with the consequences. The “Big Bad” is a group of geeks who aspire to be comic book super villains. Everything about season six screams with pain, loss, ostracism, and depression. Which is probably why I love it so much and why everyone else seems to despise it. Season seven is much of the same, but in a different way, and is also widely despised.

Here’s the thing: I love Buffy. It’s very rare that I will actually adore a main character in an ensemble piece like Buffy. But Buffy I love. And I didn’t love her this much until the seasons where it seems that everyone else starts to hate her. I maintain that the seasons everyone hates the most are the ones that I adore the most, largely for the same reasons. A lot of the love (and hate from others) is due to the expanded role Spike plays in each episode. A lot of the love (and hate form others) comes from Buffy finally being a character that I could relate to on a very personal level and who I finally liked watching. But mostly? I don’t really care what everyone else says. I’m a confirmed Buffy-obsessee at this point, and I’m just glad there are people to fight with. It means there are people who are just as passionate about this fictional universe as I am.

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Why I want to be a librarian

An array of Buffy the Vampire Slayer comicsI can make people as happy as I am right now, just by making such things accessible to them. So they can be laid out in a living room, photographed to convey the sheer joy of having them all in a pile, and then devoured by the fiction-eating monster that lives in my brain.

Reviews of Buffy, Angel, and all of Whedon’s canonical comics to come.

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2011 College World Series

OMAHA!!!!!

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Buffy the Vampire Slayer or How I Became a Card-Carrying Member of the Cult of Joss Whedon

Buffy

Buffy, who is an exceedingly strong character. Do not be fooled by the hair.

I never ever wanted to watch Buffy the Vampire Slayer. Never not once ever. I used to see the commercials for it and I used to even catch bits of it on TV and I was in no way induced to watch. I’ve always known a lot of people who are and were obsessed with the show. You can now add me to that number.

A few months ago I decided I would start catching up on TV. The only first run shows I’ve ever watched have all been cancelled in the middle of major plot points. It sort of put me off television. I started with Firefly because of its reputation, its length, and its science fiction fabulousness. I’m so glad I started there. I had seen Dr. Horrible’s Sing-Along Blog and decided to test out the popular theory that Joss Whedon is a genius/god/ruler of the universe. This, naturally, lead to watching his most famous, popular, and influential series: Buffy the Vampire Slayer.

I never wanted to watch this show. Can I emphasize that more? The main character appeared to be blonde, stupid, vapid, ridiculous, and just no fun. It looked like yet another dumb teenage drama with some vampires thrown in to make it edgy and hip. I was too sophisticated for that when I was 14, let me tell you. I read Anne Rice and I was actually edgy and angsty and definitely above the tawdry teenage vampire-drama that is Buffy. (If you’ve read Anne Rice and see the error in logic, you are not alone.)

Dear 14-year-old me, how incredibly wrong you were. Not only would I have loved this show when I was in high school, it probably would’ve made me even more delusional than I already was. Science fiction and fantasy have always been my escape from a less than ideal social life. Setting that fantasy in a modern high school with lots of evils, demons, dark forces, and sometimes plain bad people, all of which you! Teenage Girl! You get to fight, maim, and destroy! It would’ve turned my head then. It almost does now, actually.

Buffy and Angel make it possible to overdose on sugar-coated angst... and like it.

As it is, I get to appreciate the fantastic metaphorical significance of practically everything on the show. The psychotic girl named Faith (hint?), the vampire sex of doom, the sick brilliance of season two which I enjoyed far too much in its sadistic glory, and just the general pain of being a teenager. I haven’t seen one episode with a plot I didn’t like or characters that didn’t ring true.

And then there is Buffy. Dear Joss, do not strike me down, but I never wanted to watch this show because of Buffy herself. And, in the end, she is the biggest asset that the program has. I think I genuinely thought that Buffy was a twit just from the glancing impressions that I had of the show, and I had enough of twits in my daily life. But Buffy is not a twit. Buffy can take care of herself. She is a strong, smart, amazing character who has to repeatedly save the world with little to no thanks. She can beat hell out of men twice her size with her bare fists. She can stand up to psychological abuse from creepy pure-evil stalker-men who used to be her lovers. She is strong. She is tough. She is amazing.

There is also Angel. It’s hard to live in the world of American Popular Culture and not know who Angel is already. He appeared, dark and mysterious, and I said “Oh look! That’s Angel! The exceedingly attractive man who got his own spinoff!” Because, dear lord, that man is fine. In fact, to begin with, he was so physically attractive and so plot-lacking that I was tempted to just rebel against him entirely. It took me all of season one to realize that the reason I had a love/hate thing with Angel was because I have, unfortunately, read Stephenie Meyer’s Twilight series. The aforementioned author lifted Angel wholesale out of Buffy, gave him offensive values, added in some extreme creep-factors, and then made his love interest a weak, mewling, clingy, non-person who cannot even breathe without help from a male. Edward’s behaviors are abusive whereas Angel’s, though similar, never verge into the abusive range. Once I figured out that my mental aversion was in no way related to Angel himself, I fell in love with him. (A good dose of evil psychosis also helped.)

Giles: Watcher, Librarian, Awesome. Like I needed anymore nerd cred.

But who is my favorite character? Who was my favorite from square one? Who could more predictably be my favorite? Who else but Rupert Giles, high school librarian and “Watcher” to the “Slayer.” He stutters when he gets excited, he’s British, he’s nerdy beyond socially accepted norms, and he’s very much the most supportive and understanding character there is. He wears vests, and sweaters, and glasses, and his whole purpose and destiny in life is to train, protect, and support the Slayer. I could pretty much drown in Giles goodness and be perfectly happy about it.

I’ve only just gotten through Season 3, but now it’s time to start the concurrent watching of Buffy and Angel and by the time I finish that I’ll have forgotten everything I wanted to say right now. Onward! If you’re planning on watching the show yourself, stick with it through Season 1 which is by far the weakest. It’s half as long as the following seasons and is essentially recycled X-Files plots, with some vampire eye candy, teenage romantic angst, and high school hijinks. I was halfway through Season 2 before I became firmly and hopelessly obsessed. By that point the plots become more original, the tone gets darker, and the characters have all developed out of their starting stereotypes and into themselves. Give it time.

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